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Musings: Random Thoughts of a Photographer
Every now and again I have a thought...no really.
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Digital manipulation
A rather long artical about the ethics of manipulating images.
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| "In the end it boils
down to trust; the viewer must be able to trust the photographer.
Photography’s unique position as an art form that closely
depicts reality should not be discarded lightly." |
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Uluru Rules, OK.
Uluru (Ayres Rock) is one of the greatest Australian icons, but
there are a lot of rules about what you can photograph. |
| "Therefore you
can climb the world’s largest monolith, but leave your camera
behind as any shots taken while there, say of Kata Tjuta, or even
the car park, cannot be used because they imply that you did the
climb." |
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Nature is Big
Some navel gazing on a narrow ledge overlooking the Budawang Ranges,
after making Last Light on Yadboro. |
| "...no matter how
important one gets, no matter how much money one makes, no matter
how many book signings one has or photos one sells; in the great
hurricane of life we are each but a single gnats fart." |
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Insult to Photographers
Some people have no idea what a photograph should be worth. I recently
had an offer to buy my photos for $4 a piece, FOR ALL RIGHTS! |
| "So, in return for neglecting
the normal operations of his or her business, the hapless photographer
receives $1200 gross and nets $164. Even assuming only eight hours
a day on the job, that's 69c an hour! " |
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Dark vs Light
There's been so much written about digital vs. traditional photography
that I'm loathe to add another couple of hundred words...but then
being loathe to do something doesn't usually stop me from doing
it. |
| "It doesn't matter how
you produce your prints. Do what fits your lifestyle and what's
appropriate for your audience, whether that be MoMA or your Mom." |
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It's the Light that Matters
Obviously you need a subject to make a photograph, but it's more
important to have the right light. |
| "Always keep in mind
that, as a photographer, you do not photograph objects, you photograph
the light reflected from them." |
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Shearing Sheds
Sometimes I get invited to photograph fascinating old buildings
on farms. When I get there I meet equally fascinating people. |
| "while in the ancient
laundry, amid bottles of developer and selenium toner, a Beseler
45 enlarger stands proud, complete with cold light head and voltage
stabiliser." |
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Within and Without
Ansel Adams talked of assignments from "within" and "without",
and so do I. |
| "After a few years I
realised that, although I refused to actually take on work for others,
I was effectively, accepting assignments from without. A lot of
people were determining what I did with my time, and most of those
people weren't me!" |
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When the Elements Decide
Sometimes nature plays a hand in technical decisions. |
| "Setting up the camera
to take the photo I realised why the rock remained so wet. A wave
broke nearby, swamping my feet and the rock and drenching the camera
with spray." |
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A Cropping Story
Some people advocate the printing of negatives "full frame",
I disagree. |
| "I cropped the image
and was pleased to find that not only did I have a print that was
easier to make but, more importantly, I also had a simpler and stronger
image." |
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A Minute Passed
Sometimes there's nothing to do but think about the image during
it's exposure.
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| "But what was I 'getting
in'?...Where was the interesting part?...Photography is as much
about leaving things out as it is about getting them in." |
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Fuzzy Water
I like the so-called 'cotton wool' affect, but it's not always
appropriate.
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| "As predicted, in the
longer exposure the streaks have disappeared into a blur, which
doesn't show the affect I had in mind at all." |
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Why Black & White
Everybody uses colour, why limit your options? |
"Forget
the 'golden hour', a colour photographer often only has a few minutes
of quality light, whereas his monochrome friend may actually get
an hour or so."
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The Ephemeris
Some things are just too beautiful to photograph. |
| "I rejected the camera
and as a result I have the image and the experience permanently
imprinted in my mind." |
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Meaning
Can you affect people with your images or do photographs only mean
something to those who were involved? |
| "The eye contact is intense
and haunts me as if I were staring across the decades at the woman
herself." |
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Being a Nature Photographer
This is a long article about what I feel is involved in becoming
a full-time nature photographer. |
| "For centuries chemists
and scientists searched for a method of turning common materials
into gold. In the 1800s photography was invented and the search
was over." |
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Captioning
Should photographers caption their images or should we leave well
enough alone? |
| "Edward Weston did caption
his photos, but with names like Eroded Rock, Cow Tree Barn and Pepper
#30 I think its fair to say that he wasnt trying to
add any meaning to his images." |
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Style and Related Matters
How does one achieve a distinct photographic style? Actually I don't
really know, but that doesn't stop me writing about it. |
| "I believe that "you
see what you are", therefore the only lasting and worthwhile
style will be one that reflects your personality." |
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Relaxing this Landscape Photography
A short story about the thousand steps involved in making a large
format image, and some of the things that can go wrong when you
are in a hurry. |
| "Bugga" |
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The Rise and Fall of the View Camera
An example and brief description of using one of the main view camera
movements. |
| "The principals of optics
described by Herr Scheimpflugs rule are the reason those large
format calendar shots seem to have an impossible depth of field" |
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Landscape Photography
Is it socially responsible to photograph the landscape or should
we be documenting the worlds troubles? |
| "To photograph the landscape
during the thirties and forties was considered by many to be irrelevant
at best, and inhumane at worst." |
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Emotional Highs and Lows
A longish story about bad weather, friends leaving and joy at the
mountain light. |
| "I began asking myself
why I even bother walking to these difficult places when there are
great photos to be made within metres of the car. Later that day
my question would be answered." |
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Take Only Photographs
An excerpt from another photographer's story detailing the clear
felling technique he uses to prepare the landscape for a photo.
Then my thoughts on minimum impact photography. |
| "By now I hope youre
thinking, 'What the hell is this Rob Gray bloke doing cutting down
trees for a photo?' " |
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The VCR Principle
Australia's wilderness areas are ever decreasing and what's left
are under increasing pressure from tourists, bushwalkers et al.
Are landscape photographers making it worse? |
| "As landscape photographers,
we bridge the gap between the wilderness and the public. Thousands
of people can view the wilderness through our eyes without actually
going there and increasing the strain on the environment" |
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The Size of the Rat
English mountain climbers have an expression for that which drives
them. How does it apply to landscape photographers? |
| "Eventually the discomfort
caused by my rodent became larger than that of leaving my sleeping
bag. I dressed quickly, grabbed my camera equipment and walked through
the chill air..." |
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What is a Landscape?
A very short definition of what constitutes a landscape according
to Rob. |
| "You show me an Australian
landscape photographer who is only interested in spectacular vistas
and Ill show you a sad landscape photographer." |
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Finally I See the Landscape
The story of a solo walk in which I don't take a camera (well not
a real one anyway), and as a result I get to experience the landscape
for a change. |
| "As long as I live I
will never forget this moment. I have no photographic record, just
a memory, but it's more real and vivid than anything I could create
with silver halides." |